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Russell was someone I’d wanted to work with for a long time,” he added. “Russell Carpenter, the cinematographer, I brought on to the movie. He designed all the Pym Tech stuff, all that stuff.” ”So, Shepherd and I worked really closely and designed. “When I came on, Shepherd Frankel became the production designer,” Reed told us. In our own interview with Peyton Reed, he confirmed that his own visual flourishes and ideas definitely helped shape the design of certain elements. The visual world of Ant-Mantreads a lot of entirely original ground for a Marvel movie. Like, to me, to me Hank Pym is one of the most compelling characters in the Marvel comics world and to have Michael Douglas play that guy where there’s just clearly a huge, grey area in this guy and… sometimes, with that character, you wonder if he’s sane. ‘I mean we’ve cast additional actors since then’, Reed said, ‘but the core group are just beautifully cast. Indeed, you may remember that Rudd and Douglas were already cast when Reed joined up.Īnother quote from the io9 article here: “Wright has had another, immense contribution to the final movie: He cast the main characters. It shouldn’t come as a huge surprise, then, that the big casting decisions were already made.
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Peyton Reed came on board with Ant-Man without much time before production properly began.
#Edgar cut movie#
Conclusion: it’s unclear exactly what these ‘tonal’ changes were, but the decision to focus the film on Hank passing the Ant-Man torch to Scott via a heist movie structure came from Wright and Cornish.